Friday was mostly spent photographing Sheridan’s graduate collection, who’s designs consist of a juxtaposition between 1950’s prints and modern cuts for women’s workwear. Feminine shades really don’t soften the strong shapes of this collection.
Friday was mostly spent photographing Sheridan’s graduate collection, who’s designs consist of a juxtaposition between 1950’s prints and modern cuts for women’s workwear. Feminine shades really don’t soften the strong shapes of this collection.